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Thursday, May 27, 2010

Lighting Style Tactics For Black and White Photography By Bea Allen

Black and white photography is historical, yet it continues to remain because of a distinct wonder that it keeps. Although colored photographs attract the eyes, pictures have their own exclusive exquisiteness that still make them pleasing and incredible. However, photography calls for diverse lighting techniques in comparison to color photography. Black and white photos elicit contrast, and they have much more concentration on shadows, texture, and framing. Highlights of these are outcomes of good lighting. The following are lighting techniques to make your black and white photographs more interesting:
Effects
Black and white photos taken in front of the light can have dramatic silhouette effects. This creates a spectacular shadow and comments the shape of the object.
Features
Delivering contrasts between light and dark parts of a picture can be beautiful. An example is using a "golden hour" that tends to make the picture more eye-catchy. This can be best taken one hour after daybreak or one hour before sundown. During this time, the sun is closer to the horizon, and the lights seem to be long. The lights become visibly soft, and the shadow gets more emphasis. Most of these can create an illusion of vigor and texture in photography.
Function
Unpleasant lights are very helpful and are excellent lighting approaches for wide shots of photos. You can get it outside during the middle of the day. This will develop more intense shadows and can make the object seem to jump out of the photograph. An example is a photograph of a forest. The trees will have intense shadows and will make the picture seem more like three dimensional. When taking the pictures indoors, you can make use of shining bright key lights through the object's angle.
Consideration
You must evaluate using filters in creating better effects in photos. Taking out color lights can generate more contrast. Red, yellow, and orange filters make blue hues look darker, while red and yellow filters make the effect look lighter. Green filters can make the red colors darker. An example is taking a image of the sky using filters will make the cloud jump out.
The world has a lot of colors to show. Nevertheless, black and white will never go out of elegance. In photography, it is a matter of lighting techniques that make black and white photos seem more striking and wonderful to the beholder.
Bea Allen is an expert with photography. She has been in this field for twenty years and has taught many successful photographers nowadays. If you would like to see more with the best photographers then click on the hyperlink.

Several Steps to Set Up Photography Lighting By David Y Moore

Light is one of important things in photography. Nowadays, lighting has many choices and equipment that makes you easier to take the picture. By many lights that you can choose from, you can simply set up a photography studio and move the lights to get different effects. Below are several steps that you can read to set up photography lighting.
Step 1
Pose your subject where you intend him to be. Set the camera exactly in front of the subject.
Step 2
Prepare a key light on the subject. Supposed that the subject is a person, it should be set at 45 degree angle from the person and enlighten one side on his face. Generally, it should be between 500 and 1000 watts. The key lights itself has several different types. Soft light is diffused as hard light makes spiky shadows on its subject. While high light is bright one as soft light is muted and not bright. Through those two types, the key light can be determined first while you select the exact type as the effect you intend to create. For example, the soft light one is appropriate for the glamor photography.
Step 3
Place a fill light on the subject. The fill light should be more muted and more diffused than the key light chosen. Generally, a fill light is half as bright as it chosen. For example, if it is 1000 watts, the fill light should be chosen is 500 watts. Then, a diffuser can be placed on the fill light or by using a reflector board so a diffused fill light is created. When the budget is tight, another way that can be taken is using a piece of poster board or silver car shade as the reflector. The fill light is set at the opposite side of the subject itself from it. So, when the key light is enlightening, the face of subject is on the right side which means that the fill light should be on the left.
Step 4
Arrange a back light on its subject. Generally the back light should be exact behind the subject but little bit higher than the camera. Finally, the last step that can be taken is creating a radiance of light around the hair of your subject that may help him to stand out against the background itself. The back light should be lighter than the key light and it should be placed at a lower angle. Keep focusing, that it is not too low or it will appear on camera to spoil the shot.
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Saturday, May 22, 2010

Kamarul Akhir




  • Kamarul Akhir currently stringer photographer of the Agency  France Presse ( AFP ) bureau based in Kuala Lumpur, Malaysia since 2008 specialised in News, Portrait and Sports Photography
  • Instructor for Certificate and Advance Diploma Photography Course at Open University Malaysia since 2009. 
  • 9 years working experience as Senior Photographer at the Sun, daily FREE newspaper published by Sun Media Corporation Sdn Bhd (221220 – K) since March 1, 1996 to June 10, 2005.
  • Covered various events locally and internationally in major cities in the world such as London, Paris, Sydney, Hong Kong, Bangkok, Nakhon Ratchasima, Banda Aceh, Medan, Bandar Seri Begawan, Singapore, etc.
  • Appointed as official photographer for Showdown Of Champions, Russia vs Asia , 2009
  • Appointed as official photographer for Malaysian team during 24th Sea Games, Nakhon Ratchasima, Thailand, December 2007.
  • Appointed as official photographer for Sepang F1 International Circuit 2006,2007 & 2008.
  • Appointed as official photographer for Le Tour De Langkawi 2004, 2005,2006 & 2007.
  • Appointed as official photographer for Langkawi International Ironman 2006.
  • Appointed as official photographer for FEI 2006 World Cup Showjumping Finals.


  • Appointed as official photographer for 100 PLUS Education Minister Cup 2009 


  • Appointed as official photographer for Meritus Team at Asian Festival of Speed 2009


  • Appointed as official photographer for Badminton Hong Kong Open 2008  


  • Appointed as official photographer for Badminton Malaysia Open 2009


  • Appointed as official photographer for SULTAN CUP 2009 at Singapore



Events Covered


  • Launch of Kuala Lumpur International Marathon, 2010 


  • ATP Woman Tennis 2010


  • Malaysian Open Golf 2010


  • Meritus Team testing 2010


  • Moto GP testing 2010 


  • Showdown of Champions, Russia vs Asia, 2009 


  • ATP Malaysia Open Tennis 2009


  • Meritus Team at Asian Festival of Sports 2009


  • Badminton Hong Kong Open 2008  


  • Badminton Malaysia Open 2009


  • UMNO General Assembly 2009


  • MCA Extraordinary Assembly 2009


  • SULTAN CUP 2009 at Jalan Besar Stadium, Singapore


  • NAFAM 2009 


  • Sime Darby Plantation Annual Dinner 2009


  • Asean Summit Meeting


  • OIC Summit Meeting


  • 11th National General Election lBarisan Nasional Assembly & Election


  • Umno General Assembly & Election


  • MCA General Assembly & Election


  • MIC General Assembly & Election


  • Annual Merdeka Day Celebration


  • Annual New Year Celebration


  • Tsunami at Banda Aceh, Indonesia


  • Tsunami at Penang & Kedah


  • J. E. Virus Outbreak at Negeri Sembilan


  • Bird Flu Virus in Klang Valley


  • Flood in Klang Valley


  • Genting Highland Tragedy


  • Bukit Antarabangsa Tragedy


  • Anwar Ibrahim Court case


  • Mona Fandey Court case


  • Tan Sri Muhammad Taib’s Court case


  • Various Concerts and Cultural Shows


  • Le Tour De Langkawi 1998 – 2001


  • Piala Malaysia Finals 1996 – 2004


  • Piala FA 1996 – 2004


  • FIFA Coca Cola Youth World Cup Final 1997 at Johor Bahru


  • Thomas Cup Final at Hong Kong 1997


  • KL Commonwealth Games 1998


  • 20th Sea Games at Brunei 1999


  • World Cup Golf 1999 at Mines, Kuala Lumpur


  • 21st Sea Games at Kuala Lumpur 2001


  • Sukan Malaysia ( SUKMA )


  • Formula 1 Grand Prix MOTO GP


  • Japan GT


  • Malaysia vs Arsenal


  • Malaysia vs Brasil


  • Malaysia vs Manchester United


  • Carlsberg Malaysia Open Golf Tournament 2000 - 2005


  • 12th General Election


  • D8 Meeting


  • 24th Sea Games at Nakhon Ratchasima, Thailand,  2007


  • NAFAM 2007


  • IFLA 2007


  • Budi Bahasa Budaya Kita Campaign ( KeKKWa) 2006


  • Le Tour De Langkawi 2004 & 2005 & 2006 & 2007


  • Sepang F1 Circuit 2005 & 2006 & 2007 & 2008


  • Formula 1 Grand Prix 2005 & 2006 & 2007 & 2008


  • Japan Grand Touring 2005 & 2006 & 2007 & 2008


  • MOTO GP 2005 & 2006 & 2007 & 2008


  • Asia Festival Of Speed 2006 & 2007 & 2008


  • Merdeka Millennium Endurance 2005 & 2006 & 2007 & 2008


  • Hotlink Games & Anime Festival 2007


  • AMP Radio Annoucer Photo Shoot 2003


  • David Beckham Asia Tour 2003


  • Ironman Langkawi 2006


  • WWF Smack Down Tour 2004


  • Kuala Lumpur International Marathon 2004


  • Carlsberg Malaysia Open Golf Tournament 2004 & 2005


  • Celcom In Play Futsal Fiesta 2004 & 2005


  • Celcom In Play Street Party 2004 & 2005


  • F1 Powerboat World Championship 2003 & 2004


  • Asian Football Confederation ( AFC ) 2003, 2004 , 2005 & 2006


  • 11th Asia Canoe Championship 2005


  • OIC Expo 2005


  • Advertising Associations Awards 2005 
    IMRP Meeting & Expo 2006

Friday, May 21, 2010

Photography Lighting Techniques - How to Get the Best From Your Digital Wildlife Pictures By Jacqueline Strong

The right photography lighting techniques are what sets great pictures apart from the good and okay. Taking your own digital pictures has soared in popularity with the invention of the mobile phone camera and video. That and the online possibilities of setting yourself up in business make having a digital camera with you at all times a must for many. Here are some photography lighting techniques that photographers use for capturing a variety of shots and moods.
LIGHTING - Obviously, the right lighting techniques will play an important role in the impact of your pictures and the mood you are trying to create. If you took a picture of, say, a polar bear and its cub, one scene when the sun was high around midday and then the same scene in a nice warm evening light, two contrasting pictures would emerge capturing very different moods. Photographing in a harsh light will rarely produce good pictures. Taking pictures when the sun is overhead results in the colour being sapped from the picture or image, giving it a washed-out flat look.
The best light to photograph in is either early morning or in the early evening. This is because light moves towards the warm end of the colour spectrum, making the colours more vibrant, while a more three-dimensional form is created. You will find your pictures and images come to life. It also depends where in the world you are photographing, especially in a very hot or tropical climate where you will find the animals will be far more active at these times, offering you much better scope for interesting pictures. Perfecting your photography lighting techniques is an important asset to your photography toolkit.
DULL LIGHT PHOTOGRAPHY - There is nothing more frustrating than to be hanging around and unable to move when your animal has decided to appear from a totally different angle to what you are all geared up for, creating all manner of problems and shadows on the picture. That brings us to why taking digital pictures on a dull day is not such a bad thing. Digital images are able to handle dull light far better than film because of the digital sensor being more light sensitive than film. Of course, if you are in a position to alter the angle on your animals, then shooting while the sun is shining will allow you to use the light to your advantage and hopefully produce some eye-catching mood shots. Perfecting your photography lighting techniques is all part of learning to shoot great wildlife pictures.
CONVENTIONAL LIGHTING - This is what a photographer will try and achieve for all his shots, that is the sun coming from over your shoulder. This kind of shot will produce fabulous detail of your animal's fur or feathers, etc, will have no spoiling shadows and colours will be at their best. If there is a disadvantage, it is because you have no shadow so your images will take on a one-dimensional look as there is less contrast.
BACKLIGHTING - Although conventional lighting is the easy and safe option for producing the "pleasing image," photographers should not fall into this trap and make a point of experimenting with a variety of photography lighting techniques and mood shots. Taking a photo backlit can give you opportunities to capture your very own work of art. Having your subject illuminated or the animal's outline illuminated (called rim-lit) takes on a whole new perspective and can result in stunning effects. If you fell lucky and had perfect lighting, your animal image could easily turn into a two - or three-dimensional looking image, giving your picture more life and character. Real drama can be created from a back-lit picture.
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Article Source: http://EzineArticles.com/?expert=Jacqueline_Strong 
http://thekamarulakhir.blogspot.com